In
my previous post, I made reference to the complications involved in profiles
used for lofting…
When
you get a little more advanced with this particular routine, you want to be
able to adjust your profiles in place, so that you can control certain aspects
of your design in ‘real-time’. I’m going to start using a project I’ve been
working on as an example of the why, and hopefully describe the how. Let’s
start with how a profile can be constructed.
Arcs
and lines are a good starting point, because they allow you to come to grips
with what it is you’re creating. As lofting tools, they are also quite stable
and easily adjustable. Spline by points are also excellent to use for lofting,
because they create smooth, flowing masses, which is all the contemporary
faaaashin (Melbournite twang inclusive). But they are a little more unstable
(this is something I'll post about later). A couple of basic rules:
- You need at least two splines if you want a solid mass from a profile – you can’t link a single spline head to tail;
- You need to find some way to constrain them, otherwise you’ll have difficulty in adjusting them if/when you need to.
Constraining
spline by points is a tricky business, because you need to have some kind of
rig or controller. I dealt with that in two different ways, that were dictated by the stage of the project. Each offered a
different way of adjusting, and VERY different level of complexity. Let’s
start with the simpler of the two – the 'reference rig'.
It’s shape was determined by site constraints and maximum floor
plate size, and it consists of reference lines that are straights and arcs, all
drawn on the default ‘level01’ of the mass file. The rig is easily adjustable,
can be scaled, stretched, rotated etc etc. The spline by points (model lines) are then ‘drawn’
over the top, and flexes with the reference lines. Additionally, model lines
are constrained to the front/back, left/right system reference planes, so that
the profile can be positioned at the centre of the collector mass. Boomtown.
This
'reference rig' profile approach is excellent for quick mass studies that
still allow a kind of flexibility – the profiles can be constrained to levels
within a 'collector' mass, which means that you can control the area and height
with relative ease. But what about a more developed design approach? What about
adjusting your mass within the project, instead of within the mass environment?
For that, we need to look at the second and more complicated profile - the
'parametric rig'.
(note: A general knowledge of adaptive components and how they work
would probably be useful at this point…)
In
this profile, there is a lot of complication in controlling some very basic, but specific
functions of curves in relation to offsets. Simple trigonometry to determine
where arcs should begin and finish, very quickly turned into a bit of a
nightmare as this rig type was developed. Let’s have a bit of a look…
First
of all, the profile required a structure of nested file relationships. It was necessary to
have a few flexible nested families that could drive the profile family by
providing points that a spline by point could be drawn on - one to control the
arcs, and the other to control the straight lines. These are adaptive
components, and required a divided surface to be placed on.
The
overriding dimensions were length and width, as these would denote the location
of the arcs' respective apexes. The placement points for the adaptive
components are adjusted by reference lines that are driven by the afore mentioned
nightmare-ish trigonometry. Thank sweet baby jesus that adaptive points love nodes.
So.
That was heavy, and possibly I’ve raised more questions than answered. But what
I want to focus on next is why these profiles don’t work – believe me it took a
while to get these rigs to function, and I had a lot of questions that I couldn’t
find answers to.
My next post will be about trying to answer some of these questions (hopefully that's why you're here), as well as maximizing the success of profiles, and achieving lofting routines in a more stable manner. Chur.
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